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C270
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Jean Jourdain (b. 1912; Altadena, CA)
"Canyon oak": oil on canvas (24" x 30"). Signed "Jourdain" LL and titled verso by the artist, a.k.a. Dorothy Jean Foote Jordan. Listing: Dav.
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97CE
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Paul King (1867-1947; Long Island, NY
"Sailboats at sunset": oil on canvas (20" x 28"). Signed LR. Elected to NA. Listings: Ben; Dav; Fi; FJ; WWW.
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A2AV
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May Kugler (b.1916; LaPlace, LA)
"Every Day Living" : oil on canvasboard (16" x 20") in a weathered cedar frame. Signature and date ("76") bottom center; hand-written description by Kugler verso: "This picture tells of all the things I can remember. Mattress making. Every Spring the people would make there mattress over. and craw fish cleaning. usually crawfish would crawl out of the tub or sack. See they're boiling crawfish. That means lots of work. There's crawfish nets, with red tags. The turkey was a turkey we had raised, we fed it in our hands, when it got large enough to kill, we couldn't eat it. The pigs, we allways had hogs and there young ones. they were so cute. The toys the children are playing with was our toys. We would make believe." . Listing: Dav.
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A5BF
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Henry Charles Lee (1864-1930; Cornwall, NY)
Foggy Harbor: oil on canvas (18" x 24"); signed LL. Listings: Dav; Fi; FJ; Ma; WWW.
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C192
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Moses Soyer (1899-1981; NYC)
"Seated woman in blue dress": oil on canvas (mounted behind glass with stiff cardboard backing); signed UR (22" x 16"). Russian-born brother of Isaac; elected to NA. Listings: Cu; Dav; Fi; FJ; Ma; Sa; WWW.
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97CG
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Howard B. Spencer (1871-1967; New York City)
Wintry brook: oil on board; signed LL (20" x 16"). Listings: Dav; Fi; Ma; WWW. "Born Plainfield, NJ. Studied: Art Students League; F. DuMond; A. Lucas; G.E. Browne; W. Kuhn. Member: Allied Artists of America; Salmagundi Club; Barnard Club; Studio Guild; Lime Rock Art Association; Yonkers Art Association; Ogunquit Art Center; Art Fellowship, Inc.; Provincetown Art Association; American Artisis Professional League. Exhibited: National Academy of Design; American Artists for Victory. Work: Wesleyan College, Macon GA." --from "Who Was Who in American Art."
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97BP
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Marion Terry (20th C; Los Angeles, CA)
"Archway": oil on canvasboard (20" x 16"). Signed LR. Listings: Dav; Hu.
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98DJ
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Mary A. Thompson (20th C.; Los Angeles, CA)
"Coastal harbor; hazy morning": large oil on board (22¼" x 34¼"), unframed. Listing: Dav; Hu; Mo.
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A1AW
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Anonymous (19th C; Europe)
European genre scene; oil on circular concave board (16" diameter) encased in magnificent frame (28½" square). Unsigned.
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A1AX
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James Barnes (d. 1901; Britain)
"Trout fishing in the Highlands"; oil on canvas (17¾" x 27¾"). Signed LL. Written on the back of the upper stretcher in heavy pencil is: "Gate Crags O. Village of Grange Borrowdale Cumb, With The river Derwent Derwentwater Keswick. Autumn day." Listing: Dav.
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A5AB
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Antal Berkes (1874-1938; Hungary)
Budapest street scene: Oil on artist board (16" x 20"). Signed LR. Listing: Dav.
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97AM
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Jordi Bonás (b. 1937; France)
"Blue nude": oil on canvas (21½" x 17¾"). Signed LL. Listings: Ben; Dav.
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C128
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Michele Cascella (1892-1989; Italy)
"Rural landscape in spring"; oil on canvas (15¾" x 22"). Signed LL. Listings: Ben; Dav; Ma. Michele Cascella was highly productive throughout his long life. A follower of no school, he painted "as the mood strikes me, without reasoning, relying on instinctive impulses." Only in his last years did he begin receiving widespread recognition. He had one-man exhibitions in Milan (where he lived), Ferrara and Rome.
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C088
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George Hambüchen (1901-1972; Germany)
"Harbor scene": framed oil on canvas (17" x 22"). Signed LR. Listing: Dav.
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A5AD
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Anthony Robert Klitz (1917-2000; Britain)
"Entrance to Tower of London - II": oil on artist board (20¾" x 10"); ca. 1970s. Signed LR. listing: Dav. Born in Southport, "Tony" Klitz was educated at Bishop Wordsworth School, Salisbury, and attended Cheltenham Art School (1936-1939) until his war service (1939-1945). Demobilized as a Major, he eventually came to live and work in London in 1950 and evolved his style after working with the Australian artist Hayward Veal (while in London). At the time of his second exhibition in London, the critic Norman Collins wrote: "In comparison with other great capitals of the world London remains astonishingly unpainted. Mr. Klitz, an artist with a fine sense of architectural atmosphere and character, has done a great deal to redress the balance. His pictures show a fine but restrained sense of colour and he is engagingly sensitive to the London scene. Mr. Klitz is an artist - and this is a high tribute indeed - whose work will appeal equally to those who live in London and to those who have paid a visit to London, and want to have something by which to remember it. Whether it is Horse Guards Parade or the River, Mr. Klitz has captured that strange pearly light which is the secret of so much of London's grace." OTHER WORKS BY THIS ARTIST ARE ALSO AVAILABLE.
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