Joseph Nash (1809-1878; British) "Drawing room, Bramhall Hall, Cheshire": lithograph with bodycolor (11½" x 16½"). Signed and dated ("1841") en bloc in LL corner of image; matted and framed to match #98FF; authenticated by P.B. Victorius verso.
 

Joseph Nash (1809-1878; British) "Drawing Room, near Guildford, Surrey": lithograph with bodycolor (11½" x 16¼"). Signed and dated ("1830") en bloc at bottom near left side of image; matted and framed to match #98FE; authenticated by P.B. Victorius verso.
 

Joseph Nash (1809-1878; British) "Staircase, Crewe Hall, Cheshire": lithograph (11" x 8"). The image is circumscribed by a black line ca. ¾" from the image and is printed on a large sheet of cardboard (22½" x 18"); not matted and framed. From "The Mansions of England in the Olden Time, Vol. 1": a folio of illustrations reduced from the original and executed in lithography by Samuel Stanesby, edited by J. Corbet Anderson, and published by Henry Sotheran & Co., London, in 1869.
 

Joseph Nash (1809-1878; British) "Staircase, Knowle, Kent": lithograph (11" x 8"). The image is circumscribed by a gold line ca. ¾" from the image and is printed on a large sheet of cardboard (22½" x 18"); not matted and framed. From "The Mansions of England in the Olden Time, Vol. 1": a folio of illustrations reduced from the original and executed in lithography by Samuel Stanesby, edited by J. Corbet Anderson, and published by Henry Sotheran & Co., London, in 1869.
 

Joseph Nash (1809-1878; Britain) "Drawing room, Aston Hall, Warwickshire": lithograph with bodycolor (8½" x 12½") in old mahogany frame. Signed and dated ("1850") en bloc bottom center. In the early part of his career, Nash concentrated on illustrative work and genre scenes, as well as picturesque architectural subjects. His success was largely due to the large sets of lithographs which he published that were of high standard and that combined architectural fidelity with historical romanticism. Today his lithographs, usually brushed generously with bodycolor and frequently misidentified as watercolors, are considered to be excellent early examples of the art and are eagerly collected. Note: other similar lithographs by Nash, attractively framed, are also available (see pictures # 3-5). Listed: Ben; Dav; Ma.

 

Paul Palnik (b. 1946; Columbus, OH) "Thine tush"; lithograph (24" x 18"); framed, but unmatted. Pencil-dated ("1982-5742"), -signed, and -numbered ("106/500") on the image. Condition: Excellent.
 

Paul Adolphe Rajon (1843-1888; France) "Portrait of a young girl": delicate etching (9½" x 7") with sepia ink in attractive beaded frame. Faintly signed "Rajon à ...?" at bottom. In his day, Rajon's meticulous reproductions of famous paintings were immediately popular. He is appreciated today primarily for his technique and skills as a draughtsman and etcher. Listed: Ben; Dav; Ma.
 

Fancois le Roy (1741-1835; France) Chromolithograph titled "Le Gouter (Lunch)" below (11½" x 8½"). Prepared by Baudouin and published by Bennet. Note: a companion piece by Huet (#C062a) in a similar style and titled "Le Déjeuné (Breakfast)" is also available at the same price (see pictures #2 & 3). Listed: Dav.
 

Bettina M. Rybicki (20th C; NYC) "Flying" : lithograph in ochre, umber and black. Image ca. 14" x 11" on 22" x 17" paper; numbered ("3/11") and signed across the bottom.
 

Joseph F. Sabin (1846-1927; NYC) "Long Island Lead": 3½" x 5½" etching signed LL. Listings: Ben; Dav; Fi.
 

Thomas Stothard (1755-1834; Britain) "Intemperance." Mid-19th C. steel engraving by W. Chevlaier of Stothard's preliminary sketch at the Vernon Gallery. The final version of "Intemperance" (Stothard's largest work) is a fresco over the grand staircase of the baronal seat of the Marquis of Exeter in Northamptonshire. Image (6¾" x 10") printed for the Vernon Gallery on a 10" x 13½" sheet and is matted (11" x 14") but not framed; 4-page historical background included.
 

Roy A. Williams (20th C; Oakland, CA) "Mercedes" (15¼" x 21½"). Embossed serigraph titled and signed bottom. Listed: Dav; Hu.